What Happens When An Artist Gets Dropped?

From Noisey, a bit of a glimpse into the major label – artist business relationship and why signing that big deal is often more stick than carrot:

One thing Mike Smith (President of Music at Virgin EMI) is clear about, is that artists need to establish their own level of autonomy, so that their reliance is not entirely on the label. “Now more than ever it’s beholden on an artist and a manager to put the artist in a place where they are not vulnerable. The more work that an artist can do themselves, the stronger they’ll be. Because, what often can happen is an act can get signed on the vision of an A&R person but there just aren’t enough other things going on.”

Basically, whenever an artist enters any situation with a major label, they need to keep grounded, and keep their own worth at the forefront of their minds. “An artist gets it to a point where they’re already self sustainable and then labels swoop in and there’s going to come a point where these artists realize the reason why they’re swooping in and giving them all this money is because they can make ten times as much if they just keep doing what they’re doing,” JMSN (Christian Berishaj) says. “Take Chance the Rapper, he’s been offered million dollar deals and turned them down because obviously if they’re offering you million dollar deals then labels know they can make a whole lot more than that from you. When I meet with labels I ask, ‘What can you provide me that I’m not able to do myself?’ and more often than not there’s not a solid answer besides radio. Who the fuck is going to radio to discover music anymore? We live in a different time.”

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